Rough Theory

Theory In The Rough

Reification and the Consciousness of the Proletariat, pt. 2

Whatever the elements
(it’s urban/it’s pastoral,
it’s empty/it’s open), the theory says
it could always be worse.

Until it is. Then theory fails, […]

~ Mary Jo Bang @2004 “Catastrophe Theory II”

At the opening of the “Reification” essay, Lukács puts forward the bold claim that:

It is no accident that Marx should have begun with an analysis of commodities when, in the two great works of his mature period, he set out to portray capitalist society in its totality and to lay bare its fundamental nature. For at this stage in the history of mankind there is no problem that does not ultimately lead back to that question and there is no solution that could not be found in the solution to the riddle of commodity-structure. Of course the problem can only be discussed with this degree of generality if it achieves the depth and breadth to be found in Marx’s own analyses. That is to say, the problem of commodities must not be considered in isolation or even regarded as the central problem in economics, but as the central, structural problem of capitalist society in all its aspects. Only in this case can the structure of commodity-relations be made to yield a model of all the objective forms of bourgeois society together with all the subjective forms corresponding to them.

Lukács emphasises the word “structure” in “commodity-structure” – highlighting that, in Capital, the category of the commodity is intended to describe, not simply a thing, a discrete good, but instead a distinctive kind of relationship – a relationship whose peculiar qualitative characteristics are then read off into the intrinsic properties of goods. This conception of the commodity allows the category to do much more work than might be expected: the category of the commodity figures, not simply as a category of our economy, but a category of our society – in Lukács’ terms, a “model of all the objective forms of bourgeois society together with all the subjective forms corresponding to them”.

Is Lukács’ conception of the commodity-structure, though, quite the same as Marx’s? In the paragraphs immediately following this opening, Lukács refers to “commodity exchange”, and to the subjective and objective relations corresponding to such exchange, as though these were the relationships at stake in understanding the commodity-structure. Here Lukács runs into a problem: he stipulates that “commodity fetishism is a specific problem of our age, the age of modern capitalism” – and hence is historically specific. Simple commodity production and exchange, however, is ancient: how does an ancient practice somehow transform into the dominant and distinctive problem of modern society?

Lukács’ answer is that the quantitative expansion of commodity exchange at some point reaches a scale where quantitative increase yields a qualitative transformation. This answer suggests that the commodity-structure is founded on the the same sort of social relationship – the exchange relation – in modern and ancient times. Lukács argues that modernity is distinguished by the extension of exchange relations beyond their earlier bounds, to the point that the commodity-structure becomes totalising. Lukács characterises this as a quantitative expansion that yields a qualitative shift: his argument does not attempt to explain qualitatively distinctive forms of subjectivity or (social) objectivity with reference to the emergence of a qualitatively new social structure or historically distinctive form of social relation, but rather with reference to a kind of supersaturation of the social context by a kind of social relation whose historical origins lie in the distant past. The key social structure – the central social relation – in Lukács’ account, is therefore not historically coterminous with the form of society whose characteristics Lukács wants most to explain.

One consequence of this move (and I won’t develop this point adequately in this post) is a flattening of the qualitative characteristics of the “forms of objectivity and subjectivity” for which Lukács tries to account. The focus on exchange relationships drives him to criticise various types of formalism and quantification – forms of thought that abstract from qualitative specificity in favour of quantitative comparisons. Lukács argues that what is left out of this relation – what, therefore, cannot be grasped by bourgeois forms of consciousness – is the use value dimension – qualitative specificity, characteristics not amenable to formalisation. Lukács includes in this category production – and thus the proletariat – setting up for his argument that the proletarian class can generate a unique standpoint that can capture the perspective of the totality by grasping those dimensions of capitalism that are occluded by the bourgeois focus on exchange relations.

I will try to develop this summary more adequately in later posts – completely exhausted today, so I am just tossing up placeholders for myself now. What I wanted to suggest, however, is a certain path not taken in Lukács’ approach – a path that, I have previously suggested, is central to Marx’s argument in Capital: the treatment of the category of the commodity as a fully historically specific structure, expressing a form of social relation specific to, and definitive of, capitalism – and therefore as a category that intends to express something more than simply the exchange relation. I have suggested in previous posts that Marx understands both the exchange value and use value dimensions of the commodity as historically specific terms – use value, far from being something that “bourgeois” forms of thought cannot grasp, is a category integral to capitalism, one that grasps phenomena no less central to the reproduction of capital, than the phenomena grasped by the category of exchange value. At the same time, both use value and exchange value occupy a specific place within the overarching category of the commodity: a space of phenomena that can be directly empirically observed. As the first chapter of Capital unfolds, we quickly learn that the first “presupposition” or social “condition” of these empirically-observable categories, is a third category whose existence must be deduced or intuited, because it cannot be directly perceived by the senses: the category of value. This entire tripartite structure – not simply the “exchange relation” – is the “commodity-structure” in Marx’s account, and this structure, however much it may encompass and repurpose earlier forms of social practice, is understood as historically distinct – as temporally coterminous with the process of the reproduction of capital.

Marx’s argument does involve a complex discussion of phenomena that can directly be seen through immediate empirical observation, versus abstract patterns of social practice whose existence must be deduced through an analysis of distortions or patterns that flow through empirically-observable phenomena. Within Marx’s framework, however, both use value and exchange value fall on the side of what can be perceived directly by the senses. Neither of these categories provides access to a privileged standpoint accessible only to a particular social class: both refer to “overt” aspects of social experience for social actors engaged with the process of the reproduction of capital. And the “non-overt” dimension of social practice – the realm of the mysterious social substances like “value” that Marx argues we unintentionally enact in our collective practices – is no more emancipatory, for all that it is more difficult to perceive or understand. The question of how to understand the standpoint of critique – of how to identify a possibility for emancipatory transformation – is therefore much more complex in Marx’s work, than it is for Lukács.

If I were less tired, I would develop this contrast in much greater detail. That more developed post will have to wait for another day. Apologies for these inadequate mini-posts on Lukács – I’m essentially taking notes for myself here, but will hopefully be able to pull things together more adequately before I’m done…

Previous posts in this series on Lukács:

Seeing What Was Already There

Reification, pt. 1

Seeing What Was Already There

I’m in that stage in the writing process where the work of figuring things out is going on elsewhere, inaccessible to me – whatever part of me works out complex problems, has holed itself up, toiling away, and the rest of me is left waiting, a bit drained of energy, able to sense that intense work is being done, but excluded from the work process and in the dark as to what its end product might be. Keeping me company are various random associations that seem as though they have something to do with one another, and to whatever I’m trying to figure out. I figured I would toss some of those associations up here.

One of the things that troubles me with Lukács is his equation of the totality with the standpoint of critique – an equation that provides the touchstone, unifying concept throughout History and Class Consciousness. The opening to the essay “The Marxism of Rosa Luxemburg” makes this point particularly concisely:

It is not the primacy of economic motives in historical explanation that constitutes the decisive difference between Marxism and bourgeois thought, but the point of view of totality. The category of totality, the all-pervasive supremacy of the whole over the parts is the essence of the method which Marx took over from Hegel and brilliantly transformed into the foundations of a wholly new science. The capitalist separation of the producer from the total process of production, the division of the process of labour into parts at the cost of the individual humanity of the worker, the atomisation of society into individuals who simply go on producing without rhyme or reason, must all have a profound influence on the thought, the science and the philosophy of capitalism. Proletarian science is revolutionary not just by virtue of its revolutionary ideas which it opposes to bourgeois society, but above all because of its method. The primacy of the category of totality is the bearer of the principle of revolution in science. (p. 27)

Lukács’ emphasis on totality can be read as a sophisticated, Hegelian inflection of a common line of criticism of capitalism in the crisis-ridden period of the transition from the laissez-faire era to the development of more state-centred forms of capitalism: the critique emphasises the irrationality of capitalism, understood to be caused by the retention of an outmoded system of private property ownership and competition between capitals that prevents production and distribution from becoming fully transparent to itself, and hence rational, through centralised state planning.

The experiences of the mid-20th century led to an intense reaction against this form of critique, as state planning and the suspension of private ownership and competition, were realised in intensely repressive forms. “Rational” planning proved compatible with the rational administration of terror. In such conditions, the political ideal of a society that had become fully transparent to itself, no longer seemed to hold emancipatory promise but, instead, to imply that there would be nowhere left to hide. The pessimism of the first generation Frankfurt School issues out of its confrontation with what appeared to be the horrific oppressive realisation of socialist ideals.

So there are historical reasons for unease with Lukács’ vision of the totality as the standpoint of critique – fears that this sort of critical discourse is “normatively underdetermined” in the sense that it does not provide critical purchase on the kinds of oppression that are mediated by the state. A theory whose central critical concept is the “all-pervasive supremacy of the whole over the parts” sounds, to contemporary ears, much more likely to facilitate and apologise for oppression, than to bring to light emancipatory possibilities.

But it’s not just 20th century history that suggests that the totality is not the best way to conceptualise the standpoint of critique. I’m writing away from my books, and so I can’t demonstrate this point textually in this post, but there is considerable material from the Grundrisse and from Capital to suggest that Marx equates the viewpoint from the totality, with a particular moment in the process of the reproduction of capital (Murray has made the point, for example, that the category of capital is introduces using Hegel’s vocabulary for the Geist – suggesting, at the very least, that Marx would not agree with Lukács’ attempt to use a similar vocabulary for the proletariat, in order to claim the totality-eye-view as the perspective of the revolution…).

If Marx does not intend the totality to be his standpoint of critique, what does he intend? How does Marx conceptualise his critical standpoint? My suggestion – and I toss this out as a placeholder for future development, rather than as an argument I intend to make in any adequate way here – is that Marx finds his standpoint, precisely not in the totality, but in various “part contexts” that are generated in and through the process of the reproduction of capital, whose distinctive potentials we tend not to “see”, because our gaze focusses instead on the ways in which these parts are currently configured into a particular whole. A great deal of Capital consists of breaking larger wholes down into their various potential parts, exploring the implications of those parts – both as they are currently configured as moments that make a contribution to the reproduction of capital, and as they might potentially be reconfigured in order to realise very different forms of collective life.

Marx metaphorises capitalism as a kind of Frankenstein’s monster – as a reanimated creature – stitched together from disparate parts, each with their own distinctive tendencies, ensorcelled to contribute to ends that are not intrinsic or essentially bound to those parts. Social actors indigenous to this monstrous context find themselves adopting practical orientations toward these parts, reproducing the parts necessarily in the process of (unintentionally) generating the whole – the subjective and objective consequence of this process, is that the reproduction of capital necessarily drags along in its wake the reproduction of these diverse habits, forms of being in the world, material potentials, and other “resources” that can be repurposed to different social ends. Critique within this framework does not speak from the point of view of the totality (although it may need to recognise that a certain kind of whole is currently being reproduced), but rather from the point of view of the parts – of their disparate potentials, which are currently being abridged in order that this particular whole might persist. To seize these potentials, however, we need to shake off the enchantment that this particular whole, is the only possible whole – we need to learn to search beneath the totality, to begin to recognise the potentials of a diverse array of constituent parts.

I will hopefully write on all this much more adequately in the coming months. For the moment, I’ll just point to a fortuitous image – a poem that happened to be linked for other reasons entirely over at Concurring Opinions today – Kenneth Koch’s “One Train May Hide Another”:

In a poem, one line may hide another line,

As at a crossing, one train may hide another train.

That is, if you are waiting to cross

The tracks, wait to do it for one moment at

Least after the first train is gone. And so when you read

Wait until you have read the next line —

Then it is safe to go on reading.

[….]

One song hide another song; a pounding upstairs

Hide the beating of drums. One friend may hide another, you sit at the foot of a tree

With one and when you get up to leave there is another

Whom you’d have preferred to talk to all along. One teacher,

One doctor, one ecstasy, one illness, one woman, one man

May hide another. Pause to let the first one pass.

You think, Now it is safe to cross and you are hit by the next one. It can be important

To have waited at least a moment to see what was already there.

Things to Do, Places to Be

Feeling generally disorganised at the moment, so apologies if I use the blog to remind myself where and when I will need to be, in a month’s time… ;-P It’s looking for the moment as though I’ll be in Europe from 20 May through some time in mid-June, attending at least the following events.

21-23 May, Rome, John Cabot University, Beyond Reification: Critical Theory and the Challenge of Praxis (PDF flyer) – I’ll be presenting a paper on Lukács and Marx (reification and fetish) on the first day. I’m counting on being too jet lagged to be stressed, but more likely I’ll just be jet lagged and stressed. I’m sure this will result in a very impressive presentation…

29-30 May, Warwick University, Hegel Conference: Truth and Falsity (programme) – no paper from me here – this conference is purely for pleasure – a time to sit back, relax, and be confronted yet again with how much I don’t know about Hegel…

2 June, London, Goldsmiths, Marx and Philosophy (JPG flyer) – an afternoon workshop on an eclectic set of themes touching on the contemporary interpretation of Marx – I’ll be presenting a paper on Marx’s relationship to Hegel, with a focus on working out what Marx means when he speaks of setting Hegel back on his feet, with reference to the example of how Marx understands the “peculiar social character” of commodity producing labour.

Other events might or might not be added to this list, depending on whether anyone else wants to talk to me while I’m in Europe… ;-P

Reification and the Consciousness of the Proletariat, pt. 1

I’ve been wanting for some time to toss up some notes on Lukács’ essay “Reification and the Consciousness of the Proletariat” from History and Class Consciousness (note that the version of this text online at marxists.org suffers from a number of OCR issues, most of them just nuisances, but some more significant, including omitted phrases and sentences – the text version is preferable).

Each time I sit down to post something on this text, I find myself hesitating over how to approach this work, without quite understanding the basis for my hesitation. I think part of my difficulty is that the text strikes me as often tantalisingly sophisticated in its details, while frustratingly superficial in its overarching perspective. I’m not sure how to capture its contradictions, without myself becoming mired in minutiae. We’ll see how I go… As with the other posts in the “Marxes” category, this one will consist mainly of notes and sketches – written internalistically to myself. I’ll revisit a slice of this material more formally soon, as Lukács is the focus of one of the papers I will be presenting in Europe. For the moment, though, I want to speak in a more tentative voice, and wander through the text in a nonsystematic way… I’m low on laptop battery at the moment, so just the barest of preliminary thoughts here, without even getting into the text at all – just opening the curtain, with more to follow.

One of the problems that confronts Marxist theory is how to understand the relationship of its own categories – which appear to be “economic” categories – to social phenomena that are not generally taken to be “economic” in nature. The stereotypical “vulgar” solution to this problem is reductionism: those dimensions of social life that are taken to be “economic” are posited as ontologically or causally primary in some sense, and other dimensions of social life are taken to be epiphenomena – caused by, or expressive of, an “underlying” economic reality. This reductionist impulse can extend into fairly sophisticated forms of theory, which grant various kinds of relative autonomy and/or reciprocal causal power to “non-economic” dimensions of social experience. Regardless of the epicycles permitted around the reductionist core, critique tends to be understood as a voice that speaks from the standpoint of an “underlying”, more “essential” reality, in order to target more epiphenomenal or artificial dimensions of social experience.

Lukács is, among other things, an attempt to think this problem in a different way – to do away with the dualistic question of how to relate the “economic” categories of Marxist theory to other social dimensions, by rendering apparently “economic” categories into descriptors of a distinctive form of social life. Within this framework, the theory of capitalism becomes, not an economic theory, but a theory of modernity, and apparently economic categories are reinterpreted as categories of the distinctive forms of subjectivity and objectivity characteristic of modern society. Modern society itself is conceptualised as a totality – and critique is understood as a voice that speaks from the standpoint of the totality, in order to realise the potentials of that totality.

My own work shares the sense that Marx’s own categories should not be understood as “economic” categories in the conventional meaning of that term – that these are categories of distinctive forms of social practice, intended to describe the practical rituals through which indigenous members of capitalist society collectively (and largely unintentionally) enact distinctive forms of subjectivity and objectivity. My analysis, however, does not rely on a notion of “totality” (and tends to view the perception of capitalism as a “totality” as a false, albeit plausible, extrapolation from hypostatising a small subset of the potentials generated by the process of the reproduction of capital), and regards the process of the reproduction of capital as only one dimension of modern social experience, albeit a dimension whose global reach and peculiarly abstract properties render it plausible to experience this slice of social experience as a “background” within which other dimensions of social life unfold. This form of theory attempts to grasp a specific kind of critique – a critique of the process of the reproduction of capital – and attempts to give voice to the conflictual practical orientations that social actors routinely adopt in the process of enacting the reproduction of capital, in order to show that the process of the reproduction of capital is precisely not a totality, but a conflictual assemblage that can potentially be reassembled in different ways, unleashing different potentials for personal and social experience. The standpoint of this form of critique is that diverse constellation of potentials that are being partially enacted, and yet also abridged, by the current configuration of the reproduction of capital. The goal, following Benjamin, is to make our own history citable in more of its moments…

More very soon…

Admin

So I meant to post something on Lukács tonight – but an urgent problem with the site meant that everything had to be taken down for an upgrade instead… ;-P If anyone notices any post-upgrade issues, please do let me know. I realise the site has been fairly quiet for some time now – actual content will resume soon, hopefully at something like the regular pace. For now, though, off to sleep…

When in Rome…

Planning trips provides all manner of opportunities for procrastination. As I’ve mentioned previously, in late May and June I’ll be in Europe – initially at a conference in Rome, and then over to Warwick for the Hegel conference in late May, and then back to London for an event on the 3rd of June – I may still arrange a few other things before returning to Melbourne in mid-June – haven’t decided. Soon, I’ll begin tossing some materials on the blog in relation to the talks I’ll be delivering. First, of course, I have to stop procrastinating over things like where I’ll be staying… ;-P

I am apparently easily entertained by advertisements for lodgings. One place offers all its guests “use of a communal chicken”. Another provides an opportunity to experience something like that communal chicken’s point of view, advertising that its “host will dine on guests at breakfast”.

Unfortunately, even the place with the cannibalistic host is charging more than I was hoping to spend… Any tips on reasonable accommodation in Rome would be much appreciated…

Fragment on the Concept of a “Standpoint of Critique”

The recent discussion of Derrida’s Specters of Marx has reminded me (albeit in a somewhat indirect way) that I should probably toss up some notes on the concept of a “standpoint of critique” – a term I often use to cast light on how I understand other bits of technical vocabulary I use, but which I don’t believe I’ve ever written on in its own right. I’m never sure, I think, how common or self-evident the concept of a “standpoint of critique” might be – the concept isn’t a difficult one and, unlike other technical terms I use (“immanence”, “reflexivity”, “theoretical pessimism” – even “critical theory”) that have tended to be controversial in some overt way, I don’t believe anyone has ever asked me to explain what I mean by “critical standpoint”. Still, I can’t help but be struck by some key differences between how I think the question of “critical standpoint” is posed by Marx, compared to how the question seems to be posed in many other theoretical traditions. If nothing else, I thought that tugging on some of these differences might help me articulate some of what I am trying to say about Marx’s work.

At the most general level, a “standpoint of critique” is something that accounts for the critical ideals or sensibilities that are expressed in a critical theory. Here’s the first rub: theories differ over why such an account is needed – and therefore what needs to be accounted for. Generally, an account of a “standpoint of critique” attempts to explain the genesis of critical sensibilities – to explain where critical sensibilities “come from”, how critical sensibilities are generated. Very often, the possibility for the emergence of critical sensibilities is pointed back to the something that prevents social actors from becoming fully “identical” to their socialisation – pointed back to some aspect of material or social nature that cannot be fully subsumed into any particular form of socialisation. In this case, critical sensibilities are understood to express something that conditions the possibilities for practice that are available to social actors, but that represents a sort of breakdown in the process of socialisation or a “remainder” that exceeds socialisation. Depending on the theory, this breakdown or remainder might result from some intrinsic and ineradicable imperfection in socialisation itself, in some property of our physical embodiment, in some characteristic of language, in some aspect of material nature, or in other properties or processes that are interpreted to secure or guarantee that social actors can never succeed in becoming fully “at home” in their social context. These sorts of explanation for “critical standpoint” can vary substantially from one another. In spite of these differences, they share a conception that critical sensibilities are generated in a failure in socialisation (albeit that this failure may be conceptualised as intrinsic to, and even constitutive of, socialisation itself) that creates an ever-present possibility for social actors to achieve a level of distance from any particular form of socialisation – not simply distance from whatever forms of socialisation might be present at the moment the theory is articulated.

Marx, I want to suggest, approaches the question of “critical standpoint” in a slightly different way. He subordinates the question of how critical sensibilities are generated, to the question of how the practices that reproduce the social context, simultaneously involve the practical constitution of resources, institutions, habits, and ideals that sit in tension with the process of reproduction that generates them. In this approach, the rise of critical sensibilities does not relate to the breakdown of socialisation or to a remainder that exceeds socialisation, but instead to the success of socialisation – in the specific context where the social form being reproduced, generates conflictual possibilities. Here, the argument about critical sensibilities is less an argument about the characteristics of social actors (although this must be theorised as well), than it is an argument about the characteristics of the social context itself. The core of the argument is an explanation of why it is not utopian to judge the existing process of social reproduction as wanting – critical ideals are accounted for, by demonstrating that these ideals can be “cashed out” by relating them to practical potentials whose genesis is the direct concern of the theory. In this approach, it is socialisation – rather than its breakdown or excession – that gives rise to the critical standpoint to which the theory appeals. As a consequence, the theory has nothing to say about how critical ideals might arise in other social contexts, and its account of critical standpoint must be understood to be limited to the society it criticises: this theory is the theory of its object, and lives and dies with the target of its critique.

These two approaches to understanding critical standpoint are not intrinsically contradictory: they simply theorise different objects. Where this is not understood, discussions or comparisons between the two sorts of approaches can speak to cross purposes. To some degree, I see this happening in Derrida’s analysis of Marx in Specters: the “dry messianic” spirit Derrida hopes to resurrect from Marx’s work, seems to invoke a concept of critical standpoint as an ineradicable possibility – a critical standpoint related to the necessary imperfection in the iteration required for the reproduction of our social inheritance. From this standpoint, Marx’s various suggestions that the transformation of capitalism would overcome the tensions and conflicts in socialisation, look violently utopian – they appear as assertions that the overcoming of capitalism would also overcome the non-identity of the individual and society. To most theorists of the latter half of the 20th century, this sort of formulation carries totalitarian overtones – it is not surprising this would be a spirit Derrida would wish to “exorcise” from Marx’s work. If Marx is understood, however, as taking his critical standpoint from within capitalism itself, his claims read a bit differently: not as assertions that the overcoming of capitalism would overcome any potential for critique or any source of non-identity between the individual and society, but simply as assertions that – definitionally – overcoming capitalism means an overcoming of those specific tensions that characterise its distinctive process of reproduction.

Marx of course is writing too early to know to fend off this particular line of misinterpretation – some formulations are ambiguous or inconsistent with the main line of his analysis. My concern is less to protect Marx against critiques of his own ambiguities, than it is to draw attention to a way of exploring the question of critical standpoint, in a way that relates this question directly to an analysis of specific practical potentials that are immanent to the process of social reproduction being criticised, where the concern is less to explain why sensibilities arise, than to demonstrate that sensibilities can be pointed back to practical, non-utopian potentials for change. Whether Marx succeeds in this task is separable from the question of whether this might be a useful line of exploration for contemporary critical theory.

Still a bit tired from my trip – will post without reading back over this, with apologies for editing issues and for the fragmentary nature of these observations.

Speculation

Hamlet's FatherI’ve just finished reading Specters of Marx, and am fighting to get a particularly stupid grin off my face. I had read this work a long time ago, in another life entirely, and what struck me then – and therefore remained in memory – bears little relation to what strikes me now. I have been promising a number of people that I would at some point re-read and comment on the work here – tonight’s post will at best be a very partial gesture at this promise. At the moment, I am simply too gleeful to write anything sensible on the text: I am finding myself – quite literally – laughing in enjoyment of the parallel – beautiful and perplexing – that Derrida sketches between himself, criticising Fukuyama, and Marx, criticising Stirner. What a delightful, ironic self-critique and, of course, critique of Marx. I’ll need to leave this – and, with it, the overwhelming bulk of the text – completely aside, until some point when I am feeling a bit less captivated by it…

I do want to archive a couple of issues here for later, more adequate development. First, as will probably be clear from the discussion I’ve already written here on “supersensible” categories like “value”, I like the use of metaphors related to the spectral, in trying to capture what’s unfolding in Capital – the issue of what I’ve been calling “supersensible” categories, what Derrida tends to refer to as the sensuous non-sensuous, is, I think, perhaps the most central dimension to the argument in Capital. And the metaphor of spectrality, as Derrida deploys it here – to capture the dual sense of something invisible/intangible/supersensible and something embodied or incarnated – is a particularly comprehensive metaphor for grasping the strange social characteristics of the sorts of entities Marx is trying to pick out, through categories like “value”, “abstract labour”, and “capital”. Whether Derrida quite grasps the practice theoretic dimension of the argument, I’m uncertain, but the metaphorisation is difficult to surpass.

Second, Derrida makes a very nice distinction that expresses something that has been nagging me in my own writing – a distinction that I will likely steal, although I don’t believe Derrida wields it in quite the way I likely will. Derrida spends quite a lot of time making a case that Marx distinguishes between spirit and spectre, or good and bad instantiations of spectrality. For Derrida, this argument is bound together with a claim that Marx shares with the people Marx criticises, a common desire to banish spectres – a fear of the spectral. Again, I would need to spend much more time with Derrida’s text to decide whether I agree with this critique. In a short-term and selfish sense, what I take from the distinction Derrida draws, is the realisation that I need to express much more clearly two dimensions of Marx’s “spectral” that emerge in the course of my own argument. Capital involves a complex critique of the empirically sensible – capitalism figures as a haunted context, in which empirically sensible entities are incarnations of supersensible relations. The supersensible dimension of capitalism figures in Capital both as the object of critique (the social practices that constitute supersensible social entities like “value” need to be overcome, in order to transcend capitalism), and as part of the standpoint of critique (the potential to “carve up” existing social practices, ideals, and institutions in different ways – the latent structure of alternative organisations of social life, necessarily reproduced with the reproduction of capitalism – provides an immanent standpoint from which the reproduction of capital can be recognised as a form of domination). Derrida’s argument about Marx’s attempt to distinguish spectres and spirits intersects in complex ways with this sort of claim – for present purposes, I am simply flagging for myself that Derrida’s argument reminds me that I need to be clearer in my own writing, about the complex ways in which Marx’s critique of empirical “givens” runs through his conception of both the target and the standpoint of his critique.

One brief critical comment, which I will hopefully have time to develop more adequately in the future: Derrida seems to take Marx as offering a critique from the standpoint of use value, and therefore takes exchange value as the target of the critique – certainly not an uncommon reading, and Derrida’s version is vastly more sophisticated than most. My argument has been to take more seriously that the “elementary form” is actually the commodity – not some part of the commodity – and then to tug on this thread, to uncover within Marx’s argument an analysis of a tripartite social structure in which an unintended side effect of our collective practice is the generation of a dynamic of historical transformation that is effected via the transformation of material nature and overtly social institutions, in such a way as to enact or confer on specific aspects of our practical experience, those qualitative attributes that we intuitively experience as “material” or “social”. This is a difficult point to express – for present purposes, suffice to say the argument does not use the concept of a “material world” or “use value” as an “unexplained explainer” for other phenomena, but rather attempts to account for the category of “materiality” and “sociality” (and, for that matter, “historicity” and a number of other pivotal categories) in their distinctive capitalist forms.

I suspect that a great deal of Derrida’s critique here hinges on Derrida’s conviction that Marx is too “spooked” to allow both “content” and “form” to float free, untethered to some ontological ground – too foundationalist to maintain that critique has no “standpoint” outside what is criticised. I read Marx somewhat differently, of course – as an immanent critical theorist, and so as someone not seeking an external ground, but still as someone who tries to answer the question of why we find it so intuitive, to think that the “material” world should be able to provide such a ground, to perceive the determinate qualitative characteristics we most readily ascribe to materiality, as simple negations – as what is left behind, once everything anthropologically specific has been stripped away. Marx also, of course, uses the categories he analyses – an immanent critique must – and so those dimensions of our practical experience that we enact as “material” realities carry a critical force in his argument. So do those dimensions of our practical experience that we enact as (overtly) social. And so do those dimensions that we enact as “spectral” – that are not subject to immediate empirical verification, but whose existence can be deduced through watching how empirically-observable realities unfold over time. But I’m being very abbreviated, and possibly quite unfair to Derrida’s concerns – I’ll have to take this up again, at an earlier hour, when I can do better justice to the text…

Fragmentary Thoughts on Anger

I’ve been pausing for the past few days over the thought of writing something on Obama’s “A More Perfect Union” speech. I’m not skilled at writing on such things, and there has certainly been no lack of commentary on this speech from other fronts. In any event, as always seems to be the case with current affairs, my thoughts are at a tangent to much of what – even I would agree – is more important to discuss about this speech… Just a few brief words then, tonight, since this tangent keeps nagging at my thoughts…

What struck me at the time I listened to the speech, and what has kept returning to mind over the past few days, are two themes: the discussion of anger, and the role subterranean anger plays in politics; and the more tacit conception of political transformation as a process that does not emerge from a “pure” space, where good or bad, ideal or regressive, impulses exist in some form untouched by their opposites. Trauma and transformative potential, while not identical, are intertwined legacies of contemporary historical dynamics – the possibility that we could be other and more, is part of what constitutes the traumatic, scarring experience of what, in practice, we are. Those who would effect transformation emerge from this complex crucible – scars and hopes, trauma and creation, interpenetrate. There is no untainted space from which politics begins. What distinguishes transformative politics is the commitment that something transcendent already does reside within our imperfections – that part of what we already are, is the possibility to become something better and more – that our present situation, in and through its imperfections, is not our fate or some kind of static given, but the seed around which as-yet-unrealised possibilities can crystallise. The movement here is very complex – a strange, difficult combination of acceptance and acknowledgement of our starting point, with collective self-criticism that refuses to accept that this starting point must also be an end. Obama’s speech touches on such issues – and also suggests that, absent the active assertion of the possibility for transformation, scarring and anger remain as forces that can be tapped and mobilised against transformative practice.

The problem may be even more complex. As I’ve written in relation to Adorno’s work before, there is a sense in which active participation in transformative projects aggressively confronts us with the non-necessity of our own scars and traumas – forces us to surrender the reassurance that our lives had to be the way they have been – compels us to give up the notion that nothing could have been done. Asserting the possibility for a different future involves the direct confrontation with the loss of that past that could have been ours – that past that now never will be – while at the same time we assert our own potency in effecting change. Adorno suggests that the psychological demands here are both high and conflictual, pulling in different directions. Particularly in circumstances in which transformative politics seem all too likely to fail, one risk is the temptation to retreat from what can be an unbearable recognition that history could have taken a different course: to endorse retroactively the necessity for our own loss by imposing a similar loss on others, to identify with and become part of what has created our own scars. The issue of what we do with our anger – of how we acknowledge and open a space for anger over sacrifices that have by now become constitutive of us, and that can therefore no longer be rescinded – is therefore a central political question…

Apologies for not being able to develop these thoughts in a more adequate way. There is a sense in which this constellation of issues – the hybridity of people and of our times – the inadequacy of abstracting individuals or situations into clearcut categories – is always very close to me, too close to enable effective writing… There is something about the simultaneous practice of a kind of fundamental acceptance, combined with a refusal to link acceptance with a passivity in the face of the given – something about the need to bind a fundamental empathy together with a relentless critique – that strikes me as central to the practice of transformation. Perhaps some day I’ll be better able to express what I mean…

Science of Logic Reading Group: Essential Hegel

Just a very quick note to folks following both the in-person and the online versions of the Science of Logic reading group. First, so that I won’t perpetually ping the good folks who have contributed to the online group, every time I do an organisational post like this one, I’ve finally created a page where all the contributions to the group are archived. On the organisational posts, I’ll profile anything new – this week, for example, folks might want to wander over to Monagyric, and take a look at Tom Bunyard’s “The ‘Ontologisation of the Ontical’ – Hegel’s ‘Sleight of Hand’ at the Opening of the Logic”, which discusses Adorno’s Negative Dialectics, Plato’s Parmenides, and the opening to the Logic – arguing that Adorno might have misrepresented what Hegel is attempting to achieve, and threading a different path through Hegel’s opening gambit.

Second, for the in-person folks: this is a good week to catch up a bit. Those of us who are reading the whole Science of Logic will be trundling through everything up to the end of Book One – meaning that we finally reach the transition from Being to Essence. This transition provides a nice opportunity for those who are dipping in more selectively: jump in at Chapter 3: The Becoming of Essence (how can you possibly resist a chapter with a section on “Absolute Indifference”?) – the chapter isn’t long (and, if needed, you can skip the remark on Centripetal and Centrifugal Force to make it even shorter), but will give a feel for the movement of the text as Hegel effects this major transition. Then, if you can bear with just a little more reading, peek into the very beginning of Book Two, and read the opening paragraphs prior to Chapter One: Illusory Being.

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