Capital Against Capitalism
June 28, 2011
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So back in Melbourne after attending the Capital Against Capitalism conference in Sydney over the weekend. The event reminded me that I keep meaning to put up the actual submitted version of my doctoral thesis (the version that has been linked under the “Thesis” tab was the penultimate version). The submitted version of the thesis contains a number of changes, clarifications and improvements on the penultimate version, particularly in the chapters on the fetish character of the commodity, and in the discussion of Capital chapter 2, that will hopefully be a bit easier to read and understand.
The book will offer a much more substantial revision of this text, based on what I’ve learned from examiners’ comments, reviewers’ comments on the book manuscript, and the comments of many people who have listed to talks I’ve given since submitting the thesis, where I have been trying out alternative approaches to presenting the basic argument. Among other things, the book will approach the issue of Marx’s relationship to Hegel a bit differently – drawing out more clearly the way in which the achitectonic of Capital as a whole recurrently presents, and then undermines, idealist dialectical presentations – putting these presentations forward, only to undermine them a short while later with much more contingent historical explanations of the same phenomena previously presented idealistically. At the same time, I’ll focus even more strongly on Marx’s humour and the importance of understanding his humour if we want to unpack his argument – how much the work turns on vulgar restagings of the grand and elevated themes of the grandest and most elevated theory and philosophy of Marx’s own time. Although the book will still focus on these same early chapters, I’ll try to give a much clearer sense of how this sort of argument plays out at the level of the whole of volume 1 than I was able to do in the thesis. And I’ll discuss in a much more systematic way the relationship between this reinterpretation and the interpretations of major figures such as Lukács, Rubin, and Sohn-Rethel, using these discussions to develop more clearly than I think I do in the thesis, the stakes of the argument.
But until that’s in the world, I thought I should at least toss the final version of the thesis out…