Rough Theory

Theory In The Rough

Category Archives: Metatheory

Times Like Bats

Escher's Angels and DevilsVilfredo Pareto famously commented: “Marx’s words are like bats. One can see in them both birds and mice”. As I work on expressing how I understand Marx’s standpoint of critique in Capital, I keep thinking about this phrase. If readers will bear with me as I toss out some rather disorganised thoughts around this theme, I’d like to try at least to juxtapose, if not entirely integrate or work out, a few themes that I’ve tended to discuss in separation from one another, in order to give some sense of how I hope eventually to connect everything up.

I’ve suggested in a number of earlier posts that I see the first three sections of the first chapter of Capital as, among other things, a metacommentary on the opening sections of Hegel’s Phenomenology of Spirit. Specifically, what Marx recreates in these opening sections is a movement from what Hegel would call Perception, through Understanding, and into the confrontation with an Inverted World through which consciousness becomes reflexive, gaining awareness that it has been its own object all along. The first several paragraphs of the first chapter of Capital manifest the orientation toward the sensuous world that Hegel associates with Perception: the voice speaking in those early paragraphs stands outside the context it is analysing, examining what “presents itself” – what is immediately given to the senses – and attempting to grasp the social context based on what it can perceive in such givens. This voice allows a discussion of commodities in terms of the sensible properties of use-value and exchange-value.

A second voice soon intrudes, objecting that these sensible givens presuppose the existence of conditions that cannot be directly perceived by the senses. Hegel’s Understanding has come on the scene, claiming to deduce the existence of the “supersensible” categories of value and abstract labour as transcendental conditions of possibility for the sensible dimensions of the commodity.

The third voice then picks up, unfolding a “dialectical” analysis of the genesis of the money form that illustrates the dynamic relationality and mutual-implicatedness of the earlier categories. This third voice takes pains to illustrate the way in which, with the derivation of the money form, it becomes possible to grasp a number of inversions. These inversions claim to illustrate that what had appeared, when viewed statically, to be dichotomous oppositions, can instead be grasped as mutually-determining moments of a dynamic relation. It is at this point, after the illustration of these inversions, that Marx opens up the discussion of commodity fetishism, which, I have suggested, finally brings his own perspective overtly into the text.

My claim has been that the structure of this chapter is making an argument. Several arguments. But the line that interests me here relates to what I take to be Marx’s reflexive analysis of the conditions of possibility for his own theory: the structure of the chapter suggests that something like Marx’s critique becomes possible because capitalism immanently confronts consciousness with an inverted world. The inversions Marx has in mind aren’t simply the ones articulated by the “dialectical” voice in the third section of the chapter: I take Marx to be critical of that voice, as he is also critical of the “transcendental” and “empiricist” voices that precede it. Rather, I believe that Marx has in mind the “inversion” constituted by the tacit argument that permits the very structure of this opening chapter: the voices expressed in these opening sections conflict with one another, quarrelling over what the commodity “is” – a combination of sensuous properties? a supersensible transcendental unity? a dialectical dynamic? As Marx comments in the opening to section three:

The reality of the value of commodities differs in this respect from Dame Quickly, that we don’t know “where to have it.”

Marx doesn’t, I would suggest, think this difficulty arises solely due to poor thinking on the part of political economists. The difficulty is instead intrinsic. It reflects (social) ontological properties of the object of analysis. We have difficulty capturing the characteristics of our context, because we live in times like bats.

I want to suggest that Marx conceptualises the central task of critical theory, to be the task of drawing attention to the existence of inversions within our context. Marx’s concept of inversion, however, is vastly more multiplicitous than the more orthodox Marxist notion of contradiction. Marx isn’t simply seeking out one overarching, cataclysmic contradiction – between, say, the forces and relations of production. Instead, his analysis finds inversions everywhere – in Benjamin’s terms, the context is “shot through with chips of Messianic time”. Marx meanders his analysis through the moments of the process through which capital is reproduced, persistently examining the process and its moments from multiple perspectives, recurrently drawing the reader’s attention to how those perspectives each express something socially valid – it’s just that these various social validities often conflict with one another and suggest very different possibilities for the development of future forms of practice.

Why do this? Why draw attention to the inversions shooting through the context? In part, because their very existence denaturalises the context, opening a space for political choice. If some aspect of our social experience demonstrates something to be alternatively a mouse, when we approach it in one way, and a bird, when we approach it in another, then in its “essence” it is neither mouse nor bird – it “is” what we have made it to be. The question then becomes what we will make next.

Apologies for the underdeveloped character of this comment – as my previous post indicates, I hadn’t actually intended to be posting at all. But these thoughts have been nagging at me, and the best way to get some rest seemed to be to get them out of my brain and deposit them in a safer place. 🙂

Becoming Theory

I’m still drowning, with no time for substantive posting, but I wanted to put up a pointer to a post over at Larval Subjects. Sinthome picks up on some of the themes from our longstanding conversation around what difference it might make, for understanding the process of social reproduction and the possibility for transformation, when “the social” is reconceptualised as immanently conflictual – in the vocabulary that has sedimented out from this conversation, when the social is seen as a form of assemblage or constellation whose component parts generate divergent possibilities from one another and from the current whole. Sinthome writes:

N.Pepperell once told me that she does not believe assemblage theory is a theory. I got irritated at the time as is my custom when I’m enthusiastic about something, but in this I think she’s right insofar as the concept of assemblage is not yet a theory or an explanation of a particular field of individuation, of a particular individuation or phenomenon, but rather an ontological concept that precedes a theory. For example, Marx’s historical materialism stipulates that there are no essences of the human or society. This is a general ontological claim, not yet a theory. We have not yet proposed a theory until we engage in the arduous work of accounting for the specific regularities governing a particular socio-historical moment. Marx becomes a theory when he explains why the historical moment takes the particular form it does (i.e., when he articulates all the processes and contingencies by which particular subjects were formed, particular social relations came into being, and particular tensions or antagonisms developed) and when he envisions the immanent processes by which these historical moments are undergoing transformation. In short, what is required is not logos but immanent logoi, immanent patterns of (re)production internal to a phenomena, absolute specific to situations and their organization.

I’m also remiss in not pointing to the discussion immediately prior, which began by picking up on some issues related to the cross-blog discussion about “difficult styles”, but (appropriately enough) speciated mid-discussion into a conversation focussed more on how the introduction of new social practices into an existing context could react back on that context itself. I’ll archive here part of my comment from that discussion, just to preserve its juxtaposition to Sinthome’s comments above. I suggested:

In terms of examples (and I’m thinking here of the type of argument being made, rather than whether the substance of the example I’m about to use is itself correct): Marx presents the introduction of a new social practice – the exchange of labour power on the market – as a novelty that was both conditioned by the existing environment (in order for this novel practice to arise, you need a whole set of prior historical developments, such that you have markets and production for markets, a developed social division of labour, certain cultural and political formations, a coercive process of “primitive accumulation”, and many other things, without which the new practice would not have become “socially plausible”). So the emergence of this new practice is “conditioned” by the milieu in which it emerges. The practice itself, however, is presented as something that reacts back on the milieu in which it emerged, differentiating capitalism in fundamental respects from other social forms, even where those social forms contain many of the same components (money, production for exchange, developed divisions of labour, etc.) that remain central to the reproduction of capitalism. In Sinthome’s terms, a sort of social speciation or branching off took place, without this meaning that this process was in any sense an ex nihilo event.

The issue here, again, is not whether the specific example is correct – it can be debated whether Marx is correct about which shift releases the cascade of unintended social consequences that effects a “speciation”, but I would take this to be the sort of argument suggested here.

I’d like to say much more – and I am attempting to say (a very little bit) more in the piece on Lukács, which I’ll toss onto the blog eventually. Unfortunately, I have to submerge again… Readers should take a look at the original posts and discussions at Larval Subjects for the full context.

Articulating Positions (Updated)

photo of the moments of a work process in motionIn the throes of writing over the weekend, but I wanted to put up a quick pointer to a post from Carl at Dead Voles, who is reflecting on the conversation Daniel and I had here, over the meaning of some of the terms I used when trying to contrast Lukács and Marx. I’ve been thinking back over this discussion myself – not least because the discussion connects up with a more general frustration I often feel about my own work with Marx, which often leaves me feeling a bit helpless to say anything, until I’ve outlined a good chunk of everything. I’m conscious that the nature of this kind of theory asks quite a lot from readers’ patience, I struggle a great deal over how to minimise this problem when I write, and I’m always somewhat sympathetic to others’ frustrations over why I can’t say what I mean more concisely. In any event, Carl’s post manages to transpose what I often experience as a personal frustration, onto the more general terrain of the difficulties of communication across two broad approaches to philosophy:

The conversation between N. Pepperell and Daniel strikes me as a classic sort of contrast between two very different ways of thinking about things, which I’ve tried to capture in my title for this post by hijacking Heisenberg’s uncertainty principle as a rough analogy. Daniel is an excellent philosopher, and he is oriented toward position. N. Pepperell is also a outstanding philosopher, oriented toward movement. The uncertainty principle tells us that we can know either position or movement, but not both.

This is a lovely framing for Carl’s analysis, which I’m almost tempted to quote here in full – instead, I’ll point readers to the original.

Carl’s observations reminded me of another recent discussion of the issue of communicating across broad approaches to philosophy – the conversation sparked by Roman Altshuler’s Do Continental Philosophers Have Arguments?, to which I responded in this post. The focus wasn’t quite the same (I was concentrating on the issue of “embedding”, rather than “refutation”, as a form of critique), but there are still interesting points of contact between the two sets of reflections.

Just a quick update that Daniel has responded over at Dead Voles, clarifying that, while I might have been worried about taxing his patience with my roundabout way of backing into his questions, this was the sort of interaction he had been seeking out:

As a good Wittgensteinian/Hegelian, I’m not inclined to view my remarks this way. As I was careful to say repeatedly, I’ve not read much Marx. I find him hard to read. So, my questions were all asked from, as it were, a very high altitude (or a great distance away, as through a telescope) — they were meant to help me get Pepperell’s/Marx’s project better in view. And I think they more or less served their purpose; they got Pepperell to talk about the sorts of things I’d wanted to hear her talk about in this context (mainly, denying that Marx/Pepperell are trying to carry projects of various sorts that I think are DOA, but which I’d suspected Marx/Pepperell were still trying to make work). Pepperell kept “running criss-cross over the countryside” to make clear what she/Marx was up to, and this was what I was wanting to be done. Rereading my comments, I can see that I wasn’t as clear about this as I’d intended to be: I was self-consciously “derailing” the thread, asking questions that a remark in the post had brought to my mind, but which weren’t questions about the post per se. My apologies for not making this clearer, Pepperell. I’ve been quite happy with how our little back-and-forth has gone.

Daniel’s full response outlines a nice argument on the need to understand a concept by seeing how the concept is put to use – I recommend folks visit the original to see this argument in full, but I can’t resist reproducing the final bit:

To generalize, you can’t have a proper view of any part of anything until you have the whole affair in proper view. But there’s no need for this to cause anxiety; it’s just good ol’ hermeneutics. False, partial, abstract views need not be merely false, merely partial, merely abstract; they can just as well be on the way to understanding what’s what.

I’ve frontpaged Daniel’s blog here before, but for those who don’t yet know it, you can find his writings over at SOH-Dan.

Now I really must ground myself until I have my paper written… 😉

[Note: photo from Andy Bennet, Barry Shank, Jason Toynbee (red.): The Popular Music Studies Reader (Routledge, London 2006), s. s. 231-238, via Excerpter]

Marx of the Day

I feel like I ought to have had this quote handy a few weeks ago, when I was writing about Derrida’s selective edits to Capital. In any event, this quotation hits on some of the themes in the various conversations that have been underway in recent weeks with Praxis on the relationship between philosophy and other forms of practice in Marx’s work:

The same spirit that constructs railways with the hands of workers, constructs philosophical systems in the brains of philosophers. Philosophy does not exist outside the world, any more than the brain exists outside man because it is not situated in the stomach. But philosophy, of course, exists in the world through the brain before it stands with its feet on the ground, whereas many other spheres of human activity have long had their feet rooted in the ground and pluck with their hands the fruits of the world before they have any inkling that the “head” also belongs to this world, or that this world is the world of the head. Rheinische Zeitung No. 195, July 14, 1842, Supplement

This passage is from a quite early piece that expresses a number of views not carried over in this form into later works. One element of the quote, however, reminds me of a number of later formulations – specifically, the distinctive double movement through which Marx criticises philosophy, while also rejecting its abstract negation: the “head” and the “hand” are part of the same world – problems arise when philosophy forgets its intrinsic connection to other forms of practice, but also when other forms of practice fail to grasp their own implicit conceptual dimensions… No huge substantive point to be made here – certainly not tonight. Just archiving the quote, in part to remind myself to talk about things like this, if I ever find time to develop properly the argument I began to sketch in relation to Specters

Seeing What Was Already There

I’m in that stage in the writing process where the work of figuring things out is going on elsewhere, inaccessible to me – whatever part of me works out complex problems, has holed itself up, toiling away, and the rest of me is left waiting, a bit drained of energy, able to sense that intense work is being done, but excluded from the work process and in the dark as to what its end product might be. Keeping me company are various random associations that seem as though they have something to do with one another, and to whatever I’m trying to figure out. I figured I would toss some of those associations up here.

One of the things that troubles me with Lukács is his equation of the totality with the standpoint of critique – an equation that provides the touchstone, unifying concept throughout History and Class Consciousness. The opening to the essay “The Marxism of Rosa Luxemburg” makes this point particularly concisely:

It is not the primacy of economic motives in historical explanation that constitutes the decisive difference between Marxism and bourgeois thought, but the point of view of totality. The category of totality, the all-pervasive supremacy of the whole over the parts is the essence of the method which Marx took over from Hegel and brilliantly transformed into the foundations of a wholly new science. The capitalist separation of the producer from the total process of production, the division of the process of labour into parts at the cost of the individual humanity of the worker, the atomisation of society into individuals who simply go on producing without rhyme or reason, must all have a profound influence on the thought, the science and the philosophy of capitalism. Proletarian science is revolutionary not just by virtue of its revolutionary ideas which it opposes to bourgeois society, but above all because of its method. The primacy of the category of totality is the bearer of the principle of revolution in science. (p. 27)

Lukács’ emphasis on totality can be read as a sophisticated, Hegelian inflection of a common line of criticism of capitalism in the crisis-ridden period of the transition from the laissez-faire era to the development of more state-centred forms of capitalism: the critique emphasises the irrationality of capitalism, understood to be caused by the retention of an outmoded system of private property ownership and competition between capitals that prevents production and distribution from becoming fully transparent to itself, and hence rational, through centralised state planning.

The experiences of the mid-20th century led to an intense reaction against this form of critique, as state planning and the suspension of private ownership and competition, were realised in intensely repressive forms. “Rational” planning proved compatible with the rational administration of terror. In such conditions, the political ideal of a society that had become fully transparent to itself, no longer seemed to hold emancipatory promise but, instead, to imply that there would be nowhere left to hide. The pessimism of the first generation Frankfurt School issues out of its confrontation with what appeared to be the horrific oppressive realisation of socialist ideals.

So there are historical reasons for unease with Lukács’ vision of the totality as the standpoint of critique – fears that this sort of critical discourse is “normatively underdetermined” in the sense that it does not provide critical purchase on the kinds of oppression that are mediated by the state. A theory whose central critical concept is the “all-pervasive supremacy of the whole over the parts” sounds, to contemporary ears, much more likely to facilitate and apologise for oppression, than to bring to light emancipatory possibilities.

But it’s not just 20th century history that suggests that the totality is not the best way to conceptualise the standpoint of critique. I’m writing away from my books, and so I can’t demonstrate this point textually in this post, but there is considerable material from the Grundrisse and from Capital to suggest that Marx equates the viewpoint from the totality, with a particular moment in the process of the reproduction of capital (Murray has made the point, for example, that the category of capital is introduces using Hegel’s vocabulary for the Geist – suggesting, at the very least, that Marx would not agree with Lukács’ attempt to use a similar vocabulary for the proletariat, in order to claim the totality-eye-view as the perspective of the revolution…).

If Marx does not intend the totality to be his standpoint of critique, what does he intend? How does Marx conceptualise his critical standpoint? My suggestion – and I toss this out as a placeholder for future development, rather than as an argument I intend to make in any adequate way here – is that Marx finds his standpoint, precisely not in the totality, but in various “part contexts” that are generated in and through the process of the reproduction of capital, whose distinctive potentials we tend not to “see”, because our gaze focusses instead on the ways in which these parts are currently configured into a particular whole. A great deal of Capital consists of breaking larger wholes down into their various potential parts, exploring the implications of those parts – both as they are currently configured as moments that make a contribution to the reproduction of capital, and as they might potentially be reconfigured in order to realise very different forms of collective life.

Marx metaphorises capitalism as a kind of Frankenstein’s monster – as a reanimated creature – stitched together from disparate parts, each with their own distinctive tendencies, ensorcelled to contribute to ends that are not intrinsic or essentially bound to those parts. Social actors indigenous to this monstrous context find themselves adopting practical orientations toward these parts, reproducing the parts necessarily in the process of (unintentionally) generating the whole – the subjective and objective consequence of this process, is that the reproduction of capital necessarily drags along in its wake the reproduction of these diverse habits, forms of being in the world, material potentials, and other “resources” that can be repurposed to different social ends. Critique within this framework does not speak from the point of view of the totality (although it may need to recognise that a certain kind of whole is currently being reproduced), but rather from the point of view of the parts – of their disparate potentials, which are currently being abridged in order that this particular whole might persist. To seize these potentials, however, we need to shake off the enchantment that this particular whole, is the only possible whole – we need to learn to search beneath the totality, to begin to recognise the potentials of a diverse array of constituent parts.

I will hopefully write on all this much more adequately in the coming months. For the moment, I’ll just point to a fortuitous image – a poem that happened to be linked for other reasons entirely over at Concurring Opinions today – Kenneth Koch’s “One Train May Hide Another”:

In a poem, one line may hide another line,

As at a crossing, one train may hide another train.

That is, if you are waiting to cross

The tracks, wait to do it for one moment at

Least after the first train is gone. And so when you read

Wait until you have read the next line —

Then it is safe to go on reading.

[….]

One song hide another song; a pounding upstairs

Hide the beating of drums. One friend may hide another, you sit at the foot of a tree

With one and when you get up to leave there is another

Whom you’d have preferred to talk to all along. One teacher,

One doctor, one ecstasy, one illness, one woman, one man

May hide another. Pause to let the first one pass.

You think, Now it is safe to cross and you are hit by the next one. It can be important

To have waited at least a moment to see what was already there.

Fragment on the Concept of a “Standpoint of Critique”

The recent discussion of Derrida’s Specters of Marx has reminded me (albeit in a somewhat indirect way) that I should probably toss up some notes on the concept of a “standpoint of critique” – a term I often use to cast light on how I understand other bits of technical vocabulary I use, but which I don’t believe I’ve ever written on in its own right. I’m never sure, I think, how common or self-evident the concept of a “standpoint of critique” might be – the concept isn’t a difficult one and, unlike other technical terms I use (“immanence”, “reflexivity”, “theoretical pessimism” – even “critical theory”) that have tended to be controversial in some overt way, I don’t believe anyone has ever asked me to explain what I mean by “critical standpoint”. Still, I can’t help but be struck by some key differences between how I think the question of “critical standpoint” is posed by Marx, compared to how the question seems to be posed in many other theoretical traditions. If nothing else, I thought that tugging on some of these differences might help me articulate some of what I am trying to say about Marx’s work.

At the most general level, a “standpoint of critique” is something that accounts for the critical ideals or sensibilities that are expressed in a critical theory. Here’s the first rub: theories differ over why such an account is needed – and therefore what needs to be accounted for. Generally, an account of a “standpoint of critique” attempts to explain the genesis of critical sensibilities – to explain where critical sensibilities “come from”, how critical sensibilities are generated. Very often, the possibility for the emergence of critical sensibilities is pointed back to the something that prevents social actors from becoming fully “identical” to their socialisation – pointed back to some aspect of material or social nature that cannot be fully subsumed into any particular form of socialisation. In this case, critical sensibilities are understood to express something that conditions the possibilities for practice that are available to social actors, but that represents a sort of breakdown in the process of socialisation or a “remainder” that exceeds socialisation. Depending on the theory, this breakdown or remainder might result from some intrinsic and ineradicable imperfection in socialisation itself, in some property of our physical embodiment, in some characteristic of language, in some aspect of material nature, or in other properties or processes that are interpreted to secure or guarantee that social actors can never succeed in becoming fully “at home” in their social context. These sorts of explanation for “critical standpoint” can vary substantially from one another. In spite of these differences, they share a conception that critical sensibilities are generated in a failure in socialisation (albeit that this failure may be conceptualised as intrinsic to, and even constitutive of, socialisation itself) that creates an ever-present possibility for social actors to achieve a level of distance from any particular form of socialisation – not simply distance from whatever forms of socialisation might be present at the moment the theory is articulated.

Marx, I want to suggest, approaches the question of “critical standpoint” in a slightly different way. He subordinates the question of how critical sensibilities are generated, to the question of how the practices that reproduce the social context, simultaneously involve the practical constitution of resources, institutions, habits, and ideals that sit in tension with the process of reproduction that generates them. In this approach, the rise of critical sensibilities does not relate to the breakdown of socialisation or to a remainder that exceeds socialisation, but instead to the success of socialisation – in the specific context where the social form being reproduced, generates conflictual possibilities. Here, the argument about critical sensibilities is less an argument about the characteristics of social actors (although this must be theorised as well), than it is an argument about the characteristics of the social context itself. The core of the argument is an explanation of why it is not utopian to judge the existing process of social reproduction as wanting – critical ideals are accounted for, by demonstrating that these ideals can be “cashed out” by relating them to practical potentials whose genesis is the direct concern of the theory. In this approach, it is socialisation – rather than its breakdown or excession – that gives rise to the critical standpoint to which the theory appeals. As a consequence, the theory has nothing to say about how critical ideals might arise in other social contexts, and its account of critical standpoint must be understood to be limited to the society it criticises: this theory is the theory of its object, and lives and dies with the target of its critique.

These two approaches to understanding critical standpoint are not intrinsically contradictory: they simply theorise different objects. Where this is not understood, discussions or comparisons between the two sorts of approaches can speak to cross purposes. To some degree, I see this happening in Derrida’s analysis of Marx in Specters: the “dry messianic” spirit Derrida hopes to resurrect from Marx’s work, seems to invoke a concept of critical standpoint as an ineradicable possibility – a critical standpoint related to the necessary imperfection in the iteration required for the reproduction of our social inheritance. From this standpoint, Marx’s various suggestions that the transformation of capitalism would overcome the tensions and conflicts in socialisation, look violently utopian – they appear as assertions that the overcoming of capitalism would also overcome the non-identity of the individual and society. To most theorists of the latter half of the 20th century, this sort of formulation carries totalitarian overtones – it is not surprising this would be a spirit Derrida would wish to “exorcise” from Marx’s work. If Marx is understood, however, as taking his critical standpoint from within capitalism itself, his claims read a bit differently: not as assertions that the overcoming of capitalism would overcome any potential for critique or any source of non-identity between the individual and society, but simply as assertions that – definitionally – overcoming capitalism means an overcoming of those specific tensions that characterise its distinctive process of reproduction.

Marx of course is writing too early to know to fend off this particular line of misinterpretation – some formulations are ambiguous or inconsistent with the main line of his analysis. My concern is less to protect Marx against critiques of his own ambiguities, than it is to draw attention to a way of exploring the question of critical standpoint, in a way that relates this question directly to an analysis of specific practical potentials that are immanent to the process of social reproduction being criticised, where the concern is less to explain why sensibilities arise, than to demonstrate that sensibilities can be pointed back to practical, non-utopian potentials for change. Whether Marx succeeds in this task is separable from the question of whether this might be a useful line of exploration for contemporary critical theory.

Still a bit tired from my trip – will post without reading back over this, with apologies for editing issues and for the fragmentary nature of these observations.

Capital, Volume 1, Chapter 1: A Way of Visualising Abstract Labour and Value

For anyone who doesn’t have the stamina to trawl all the way through the 11,000 words I somehow wrote on Diane Elson’s “Value Theory of Labour” (here and here), there is one bit of my argument that I wanted to reproduce in its own post, partially because it seems to me to belong in the series on Capital, volume 1, chapter 1, and partially because I’m still trying to decide whether I like this way of expressing what Marx is trying to do. I’ve removed everything specific to Elson, and just reproduced the metaphors I’ve been trying to develop recently – particularly as I’ve been trying to express in a more unequivocal way, why the argument about the fetish is not an argument simply about “market relations”. Apologies for the duplication with the Elson posts – I’m just assuming that more people will see this here, than will read all the way to the very end of the argument about Elson… ;-P

***

I find it useful to think about abstract labour in terms of sets and subsets, each enacted in collective practice.

The main set includes all sorts of activities that are productive or creative of social life in any sense of the term. This set might include working on an assembly line, falling in love, building a house to live in yourself, selling legal services, going on a vacation in New Zealand, etc. In spite of its apparent inclusiveness and genericness, it isn’t an accident that a set with such members should be thinkable to us. There is some practical sense in which our collective practice is – in at least one dimension – so indifferent to the specific activities that we carry out, that we have experiential access to a category that is so large that it can encompass all of these diverse things into an overarching concept of “human practice”. I’ll leave aside for present purposes how I think such a category is suggested by our practices.

Within this set, there is a subset of activities that are grouped together as attempts to assert themselves as commodity-producing activities. The people or groups who engage in this subset of activities can know how much effort they are empirically expending, to undertake whatever activity they are undertaking – manufacturing a car, providing medical services, building houses, etc. They cannot know, however, how successful they will be in getting the empirical effort they are expending to “count” as commodity-producing labour: they will only know this, once they send the products of their labour into the market. At that point, they will find out whether, and how much, of their empirical activity succeeds in making it into the final subset.

The final subset is activities that have successfully asserted themselves as commodity-producing labour – a status that may partially, fully or even excessively recognise the actual efforts empirically expended in production in the previous subset. This final, smallest subset of human activities, comprises those activities that get to “count” as part of “social labour” from the standpoint of the reproduction of capital.

There are other practically-enacted subsets – these three are the ones relevant to the understanding of the first chapter.

Marx’s argument about abstract labour and value relates to our experience of the salto mortale between the second and third subset. In his account, the process that culls from the activities undertaken in the second subset, to generate the activities recognised as “social labour” from the standpoint of the reproduction of capital, is a process that takes place “behind the backs” of social actors: they can experience it taking place, but they are not setting out to create such a process, and they experience this process as (what it is) an impersonal form of coercion on their intentional practices. Moreover, this process communicates its results to social actors through the process of the exchange of their products – through the proportions in which their goods exchange with one another. Productive activities that “succeed” in asserting themselves as part of “social labour”, demonstrate their success by exchanging for greater amounts of other products, which have not succeeded so well. Those activities that get to “count” as “social labour” are therefore rendered manifest to social actors, through a process that establishes relationships among goods. When Marx says that, in capitalism,

the relations connecting the labour of one individual with that of the rest appear, not as direct social relations between individuals at work, but as what they really are, objective relations between persons and social relations between objects.

he means this in a very literal sense. He is not describing some strange illusion under which social actors are operating, but something more like a very exotic ritual among the indigenous members of capitalist society, for establishing which activities count as social labour. This ritual is socially specific, but it is nevertheless perfectly real – it possesses a social validity for members of capitalist society that is not automatically undermined by the realisation that its reality is only social in origin.

Marx is worried that his readers won’t grasp how bizarre this familiar ritual actually is – that just pointing out the subsets, and indicating that we are regularly engaged in sorts of productive activity without any idea whether those activities will succeed in counting as social labour, will not provide sufficient analytical distance. He needs to jolt his readers out of their familiarity with their own context. He uses the concepts of abstract labour and value to provide this jolt.

Our collective behaviour, Marx argues, is tantamount to acting as though the labouring activities undertaken as part of the second subset, are haunted by a supersensible world that lies behind what we can empirically perceive – a supersensible world of abstract labour. To the extent that our labouring activities partake of this supersensible world, they succeed in being incorporated into the third subset. Our collective behaviour is also tantamount to acting as though the commodities we produce possess an intangible, supersensible dimension – a dimension in which abstract labour is objectified into the property of value. Another way of saying this is to state that abstract labour and value are “real abstractions” – practical truths specific to capitalist society – social entities that are enacted in collective practice.

Fetishised forms of thought, for Marx, express the existence of these social entities – but do not grasp them as social. Value is thus treated as an intangible substance that inheres in physical objects, and becomes manifest in the process of exchange. Abstract labour is treated as an intangible world of social labour that becomes manifest in the culling process of the market. In his argument, we enact entities like value and abstract labour as real abstractions, but the way that we enact such social entities (unintentionally, as side effects of practices oriented to other goals) and the way we manifest these entities (through proportional relationships established between goods) creates an intrinsic risk that social actors will become confused about the ontological status of these real abstractions – the risk that, as Marx jokes in relation to Dame Quickly, they won’t know “where to have it”.

Marx shows off a bit in the first chapter, using this argument very quickly to suggest that major themes in the development of western philosophy are actually expressive of this confusion over “where to have” these real abstractions. His analysis from that point is more careful, less sweeping – but equally oriented to linking conceptual categories as real abstractions back to the moments of the reproduction of capital in which such categories are enacted.
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List of posts on Marx below the fold: Read more of this post

Reflections on Elson’s “Value Theory of Labour”, part 2

Okay, so I went a bit crazy with this… I hadn’t intended to write a whole article-length response to Elson’s work – which, between yesterday’s post and today’s, is effectively what I’ve done. This post is so long that, while I would normally post it to the front page, it just exceeds all reasonable length – I’ll have to tuck it below the fold. Also, apologies in advance that I’m simply too exhausted, having written this, to edit – there are sections where I think I’m being repetitive, and other sections where I’m moving too quickly – hopefully anyone who clicks through will understand that this was written in one long and possibly ill-advised sitting, and it suffers as a result…

For those trying to decide whether to click through, I summarise the second half of Elson’s argument, of which I’m much more critical than I was of the first. I focus particularly on the notion of a real abstraction – and on how Elson is both aware of this concept, and yet uses it in tandem with an analytical framework that is expressly posited as transhistorical – the effect is to criticise capitalism for having a certain set of real abstractions (captured in categories like abstract labour, value, and money) against critical categories that do not have this same “real” status. I follow this thread through Elson’s argument, discussing Elson’s comments on the “structure/agency” issue in theories of capitalism; I outline her reading of the first chapter of Capital; and I discuss her concluding discussion of the political implications of her reading of Marx. In spite of the length of this piece, I don’t cover Elson’s argument in the same micrological detail I used in the previous post: the length is made up of critical asides where I explore the differences and points of agreement between my own approach and Elson’s work. I conclude with a fairly condensed set of criticisms, and also provide a whirlwind sketch of how I understand the concept of abstract labour – just to provide some sense of the perspective from which I am offering this critique.

To the folks who asked me to comment on this piece, all I can say is: be careful what you wish for… ;-P Below the fold we go… Read more of this post

Reflections on Elson’s “Value Theory of Labour”, part 1

So, by popular demand, a follow up to the book-meme post, where I responded to Nate’s tag with a few sentences from Diane Elson’s “The Value Theory of Labour” from her edited volume (1979) Value: The Representation of Labour in Capitalism. This post wasn’t the first time someone has asked me to talk about my work in relation to Elson’s, so I promised to follow up on the short meme post with something longer soon. This is that something longer… ;-P

Before I get into Elson, I should mention the progress of the meme over at Now-Times – where my tag forced poor Alexei to have to translate a text in German, which also contained selections from Greek – I suppose, like all viruses, this one hits some people harder than others… Over at Grundlegung, Tom responded to the meme, but then rudely placed himself in quarantine and refused to share and share alike. I have patiently tried to explain that Tom has undertaken the commitment to infect others when he undertook the commitment to acknowledge the tag, but Tom, as always, stubbornly resists the implications of Brandom’s queen’s shilling argument. Tom: I have updated your score accordingly. Praxisblog promises “an appallingly long and obsessive response to that damn book meme”. I think I am afraid. The meme has hit massthink whilst Ryan/Aless is travelling – I’m certain we can all understand how inconvenient that is – he’ll respond in a more settled moment. I didn’t tag Gabriel Gottlieb over at Self and World, but the bug got to him anyway, and I’ll link his response here because I am still groaning from his title: “On the Very Idea of an Internet Meme”. Andrew over at Union Street tried to tag me, only to realise I’ve already been bitten – if you like, Andrew, you can consider this post a relapse, and consider that your second tag made me come down with a much worse case of this thing, forcing me to engage more deeply with the text than just quoting a few sentences…

Okay. Diane Elson. Note that I’m likely just to post notes on Elson’s piece here, rather than provide a worked out argument about how our positions intersect – since a few other folks hovering around have also read her, there should be some possibility for correcting anything I get too terribly wrong here…

Elson’s piece starts with an excellent question: what is Marx’s theory of value a theory of? The answer to this question is far from obvious, and major differences of interpretation of Marx’s work pivot on the issue.

Elson begins by outlining two common interpretations of the labour theory of value:

(1) The theory of value allows Marx to prove the existence of exploitation.

Elson associates this position with a transhistorical conception of the category of value – a conception that holds that surplus in all societies is based on value, but that in capitalism this is concealed – hence the need for a theory to reveal value (and human labour) as the basis for the surplus. Elson argues that Marx does not appear to have regarded value as a transhistorical category, and also that Marx’s concern was not to demonstrate that exploitation exists under capitalism, but rather to analyse the form of exploitation specific to capitalism. She argues, however, that this approach does at least keep the political charge of Marx’s theory at the forefront. (115-116)

(2) The theory of value allows Marx to explain prices.

Elson associates this approach with attempts to see Marx as a sort of critical culmination of classical political economy, proposing a theory with a similar object to that of Smith, Ricardo or Mill, which provides an explanation of equilibrium prices in a capitalist economy. Elson notes the (tacit or explicit) depoliticisation of the theory entailed by this reading – and also notes a tendency to hold the question of the determination of equilibrium prices to be so central that the category of value has come to be rejected, as arguments have been put forward that for why this category is inadequate to account for prices. (116-121)

She then opens a third possibility: that the object of the concept of value was never to theorise price – or, indeed, to account for “the origin or cause of anything” (121). She suggests that Marx’s concept of “determination” has been flattened into a notion of “cause” or “origin” in a way quite alien to Marx’s use of the term. (I agree with Elson on this – “determination” is one of a number of concepts that picks up very different analytical valences when lifted out of its Hegelian context and translated into the terrain of the applied social sciences – to the detriment of Marx’s analysis.) She therefore turns to an analysis of the object of Marx’s theory and the method of Marx’s analysis, as a necessary precursor to teasing out Marx’s relationship to Ricardo and to the questions that preoccupied classical political economy. (122-123)

Elson argues that the object of Marx’s theory was not the phenomena of exchange, but rather labour. In her words:

It is not a matter of seeking an explanation of why prices are what they are and finding it in labour. But rather of seeking an understanding of why labour takes the forms it does, and what the political consequences are. (123)

This analysis of the form of labour, moreover, is concerned with more than simply how labour is distributed within capitalism – a question that, for Elson, points back to the more traditional understanding of the labour theory of value. (124-128) It also points beyond the analysis of what Elson calls the “structure of production” – a concept Elson regards as too “deterministic” in a causal sense. (128-129) In Elson’s own words:

As several authors pointed out, Marx’s concept of determination is not ‘deterministic’… Although Marx stresses that determination can never be simply an exercise of individual wills, he also stresses that it is not independent of and completely exterior to the actions of individuals….

Distribution of social labour is not an adequate metaphor for this process of determination, because such determination always begins from some pre-given, fixed, determinate structure, which is placed outside the process of social determination. What is required is a conceptualisation of a process of social determination that proceeds from the indeterminate to the determinate; from the potential to the actual; from the formless to the formed. Capital is an attempt to provide just that. (129-130)

Elson notes that Marx’s formulations of this problematic, particularly prior to Capital, are often confusing and inconsistent – in part, she argues, because he was wrestling this problematic out of political economic texts that were concerned with something closer to a “labour theory of value”. Elson therefore centres her analysis on Capital, where she believes the object and method that are specific to Marx’s work are developed more clearly. (130)

Elson next offers the interesting suggestion that the readings of value theory she has already discussed are all guilty of what she calls a “misplaced concreteness” – a tendency to posit that certain “independent” variables are somehow already “given” in the process of production, while understanding the problem to be how to determine, based on those givens, certain other, “dependent” variables in the process of circulation. She argues:

It is simply taken for granted that any theory requires separable determining factors, discretely distinct from what they are supposed to determine….

This approach poses the relation of determination as an effect of some already given, discretely distinct elements or factors on some other, quite separate, element or factors, whose general form is given, but whose position within a possible range is not, using what Georges-cu-Roegen calls ‘arithmomorphic concepts’. Essentially a rationalist method, it assumes that the phenomena of the material world are like the symbols of arithmetic and formal logic, separate and self-bounded and relate to each other in the same way. This is not Marx’s method; his theory of value is not constructed on rationalist lines. (131)

“Arithmomorphic concepts” may become my new favourite term. I agree with Elson on this – I’ve been drawing attention to a similar problem by tugging on the issue of what Marx means when he calls Capital a “scientific” work – a phrase that is often misinterpreted in analogous ways to the concept of “determination” that Elson focusses on here. Just as Marx’s “science” is not an instrumental or positivist exercise, but an exercise in reconstructing a network of relationally-determined concepts, his notion of “determination” is intended to situate his categories within the network of relationships within which they acquire their present-day meaning: the concept of “determination” operative in his work is not a causal concept in an applied social science sense of the term.

Back to Elson: She argues that this presupposition – of givens strictly separated from dependent variables – operates even in some apparently unlikely places, such as in Althusser’s concept of “structural causality”, and in approaches that break with concepts of structure, only to try to recover “conditions of existence” purported to lie behind structure. (131) She then uses Ollman, as well as her own examination of Marx’s chemical metaphors and his complex discussion of the relationship between value, exchange-value, and labour time, to illustrate the ways in which Marx’s categories include within themselves aspects of the reality they are described as “determining” – undermining an interpretation that would see them in terms of independent-dependent variable relationships. (132-135)

She uses this analysis to argue that Capital, while viewing labour-time and price as distinct, does not understand the relationship between the two as that of an independent to a dependent variable. Elson argues:

The social necessity of labour in a capitalist economy cannot be determined independent of the price form: hence values cannot be calculated or observed independently of prices. (136)

Thinking back for a moment to the argument I’ve been making on the blog and in the thesis about Marx’s appropriation of Hegel: one of the things I’ve suggested that Marx draws from Hegel, is a peculiar argument about the relation of “essence” and “appearance”. Hegel criticises approaches that separate essence and appearance into two separate substances or worlds, and then try to answer the question of how these separate substances are related to one another. Essence and appearance are intrinsically related, for Hegel: they are mutually interpenetrating, mutually generative, sharing the same substance, but also distinct from one another. Marx takes this sort of argument over into Capital, with value presented as a kind of “social essence” generated in and through the flux and apparent lawlessness of the appearance of exchange (the argument is a bit more complex than this, as exchange isn’t the only site of “flux” – I’ll leave this point aside for now). In Marx’s argument, this social “essence” does not exist as some separate substance that sits outside exchange, determining the movement of “appearances” in the form of prices. Instead, value is something that emerges in and through that flux – a pattern or regularity that the flux itself generates, in and through its apparent random walk. Within this framework, it doesn’t make sense to talk about “value” as if it exerts a casual force on exchange as the dependent variable. Value is rather itself an “effect”, a “result”, intrinsically bound together with the flux through which it becomes manifest as a non-random pattern emergent over time. This pattern “determines” the flux, not in a casual sense, but as a description of the qualitative attributes of one of the aspects of, in this case, an overarching process in which both the “law” of value and the “flux” of exchange are moments.

I’m not suggesting here that Elson is making exactly the same argument, or would agree with how I’m am (somewhat clumsily) expressing the point here – I’m just trying to link her argument back to the ways I’ve expressed similar points recently on the blog. Elson, for her part, goes on from the quote above into a (to be honest, somewhat confusing to me – but that’s probably because I’m used to making this argument via Hegel’s essence/appearance distinction) discussion of “immanent measures”. Her point is to draw attention to what I usually call the “counterfactual” dimension of value-determining labour: the fact that this labour bears no relationship to empirically-observable inputs of labour time in production. She uses this to segue into an argument that money, not labour-time, serves as the social standard of measurement – and that labour-time and money are not understood as discrete variables whose proportional relationship to one another must be discovered, but rather as different forms assumed by a continuous a social process. (136-139)

Elson next asks whether she has perhaps demonstrated that Marx’s argument is incoherent, circular, or serves no purpose. If the argument can’t explain causation or origin in terms of necessary and sufficient conditions, what possible purpose could the argument serve? (139)

To address this question, she moves to an argument about dialectical materialism – about Marx’s theory as theory of immanent historical transformation through which social forms dissolve themselves and change into new forms, via internal social dynamics with no external cause. In Elson’s read, this approach does not involve making an argument about how earlier social forms led to later ones: even if the raw materials for a later social form derive from an earlier form, it is not this story of historical origin that is important for grasping a social form – this would entail adopting a standpoint outside a social form, to grasp that social form – an approach that Elson argues falls back into the independent-dependent variable trap. Instead, social forms must be understood with reference to their own immanent logic – and uncovering how that logic suspends within itself contradictory moments or potentials that determine that social form as transient and transformable. (139-142)

Elson argues that it is these contradictory moments that Marx describes as “determinants” – and that this description does not imply that the “determinant” somehow sits outside the social form, causing that social form to unfold in a particular way. Instead, “determinants” are moments of a complex social form, isolated out in Marx’s analysis and considered in abstraction from one another, in order better to draw attention to the conflictual potentials embodied in the society as a whole. The analysis does not stop with this process of isolation and abstraction, but then moves on to resubmerge the isolated moments back into the social process, which we can now grasp differently, as a unity that presupposes all the conflictual moments that have been analysed in isolation. Elson’s description here again echoes points I have been making through my analysis of Hegel’s influence on Marx:

These different, counter-posed aspects are often referred to be Marx as ‘determinants’ or ‘determinations’ (just as the opposed movements whose resultant is the ellipse are referred to as ‘determinants’). But that does not mean that the form is produced or caused by the ‘determination’ or ‘determinants’ acting in some autonomous way… The point is that the determinants are not independent variables, but are simply aspects, one-sided abstractions singled out as a way of analysing the form.

The analysis of a form into its determinants is, however, only the first phase of the investigation. After this phase of individuation of a moment from the historical process, and dissection of the tendencies or aspects counterposed in it, comes the phase of synthesis, of reconstitution of the appearance of the form, and of re-immersing it in process… This second phase does not simply take us back where we began, but beyond it, because it enables us to understand our starting point in a different light, as predicated on other aspects of a continuous material process. It suggests new abstractions which need to be made from a different angle, in order to capture more of the process. The phase of synthesis brings us back to continuities which the phase of analysis has deliberately severed. The whole method moves in an ever-widening spiral, taking account of more and more aspects of the historical process from which the starting point was individuated and detached. (142-143)

This is a very nice description of Marx’s method in Capital. From my point of view, it omits some details that begin to explain the order in which Marx introduces this categories – but this is a sort of trivial point to make, in response to a brief discussion that has other argumentative targets in view. I like very much the way Elson emphasises Marx’s practice of taking something that presents itself as a unified object, and then breaking that object into aspects, and teasing out the often conflictual dimensions of each aspect – this point is quite central to how I read Marx. I’m less happy with the characterisation of this method in terms of a back-and-forth movement from analysis to synthesis, although these are terms that Marx himself occasionally uses in discussion of his work, and my unease is more a matter of concern that these terms – much like “determination” – have more common associations that don’t quite capture what Marx does. I like the way that Elson emphasises how Marx’s method makes it possible to transform our understanding of categories – although I would like to supplement this with a discussion of how the categories are then introduced based on the order required to tease out the relationships that connect them to one another, to reveal how categories presuppose one another, would also open up an argument about how our understanding of earlier categories comes to be transformed, not simply by Marx’s analysis of the moments of those categories, but by the unfolding of the later categories as well. Again, though, I don’t understand this as something required for what Elson is trying to achieve in this article.

Elson concludes this pivotal section by asking what form of knowledge we acquire through this method. Her answer:

It cannot give a Cartesian Absolute Knowledge of the world, its status as true knowledge validated by some epistemological principle. Rather it is based upon a rejection of that aspiration as a form of idealism…. It is taken for granted, in this method, that the world has a material existence outside our attempts to understand it; and that any category we use to cut up the continuum of the material world can only capture a partial knowledge, a particular aspect seen from a certain vantage point. (143)

Elson uses this point to argue that world cannot be appropriated fully in thought; she suggests, however, that it could perhaps be fully appropriated in practice (143) – a position I’m not sure Marx would share, as practice also has its situatedness, its form: I’m not sure that appropriation of the world can be “completed”, whether in thought or in practice… She then moves to a criticism specifically of “capital logic” approaches, on the grounds that such approaches confuse capital – which she takes to be a category of analysis – with an entity, existent in the world in some form. She argues that this move falls into an:

illusion, taking capital not as a one-sided abstraction, a category of analysis, but as an entity; and understanding the historical process of form determination as the product of the self-development of this entity. (144)

My reaction to this comment depends on what Elson means by certain key terms. As phrased, this comment strangely sounds to me a bit like a reintroduction of a sort of essence/appearance distinction of which Elson is critical in other moments of her account: the comment seems to position our “thoughts” about an object, as subsisting outside that object – and also to position our thoughts as, in Hegelian terms, “inessential” in relation to their object, which is constructed as separate from themselves. I take Marx instead to be making a practice-theoretic argument about the generation of categories of thought – such that what we “think” is what, in some dimension of social practice, we “do”. I take his arguments about value, abstract labour, capital, and similar “supersensible” categories to be Durkheimian – to be arguments that we are enacting such things as social entities by behaving as though such entities exist in our collective practice. This doesn’t mean that such entities exist somehow outside our practice, “determining” that practice in a causal sense – and I take it that it is this move of which Elson is critical, as this sort of move is both idealist and tends to be undermining of attempts to conceptualise agency. I understand the concern motivating her critical comments here. As expressed, however, these comments treat capital as more “illusory” than I think Marx takes it to be: capital is something we do, something we create – and also something we can undo, something we don’t need to create. It is a social – not solely a conceptual – reality in the present time; it needn’t be either a social or conceptual reality in the future.

I’m only about halfway through Elson’s chapter at this point – from here, having laid a solid foundation, Elson jumps into the textual and argumentative specifics of her reading of the labour theory of value. I think I’ll pause here for tonight – it’s getting late, and I have an early start tomorrow. Hopefully I can find time to comment on the remainder of the piece soon. [Note: part two here.]

Fragmentary Ontological Temptations

For some reason, I’ve been exhausted since the conference. I don’t think it is a reaction to the conference itself, but probably more to the way in which the process of writing the paper for this event, provided an excuse to pull together much of what I’ve been working on over the past few months. The event therefore had a certain “life passing before my eyes” quality that I think has left me in only a semi-responsive state… ;-P

There’s a seminar at Melbourne Uni all week this week on Badiou’s Being and Event – I had booked myself into this, figuring I would want a break from Hegel and Marx after the conference, and also figuring it would be a chance finally to tackle this work. The lecturer is one of the folks who had been involved in the excellent series on Deleuze’s Difference and Repetition back in July – an event I had used similarly, as a spur to get myself to work through something I had been meaning to read for some time. Both events have been organised under the auspices of the truly fantastic Melbourne School of Continental Philosophy, which runs events like this over the term breaks, and is about to start running an “evening school” during the term as well.

I’m only around a hundred pages into Badiou’s text – planning on reading enough to stay a bit ahead of the lectures, and to finish by the end of the week. And of course, in spite of reading this because I want a break from Marx and Hegel, I’m finding myself thinking about Marx and Hegel as I read. I’ll leave Hegel aside for the moment, but I did want to toss something up on parallels with Marx, mainly because it gives me an excuse to leave a placeholder for myself about something that came up at the conference, and about which I’ll want to write more later.

When I wrote the conference paper, I think I was expecting people to contest the sorts of links I draw between Hegel and Marx – not so much because it’s terribly controversial to claim that Marx is borrowing from Hegel’s concept of “science” in writing Capital, but because of the specific way I extend this claim by also drawing attention to some parallels between Capital and Phenomenology. On the one hand, this extension allows me to make sense of a lot of what’s going on in the first chapter of Capital in particular – and specifically to argue, as I did in the paper,

Shifts in perspective are particularly rapid in the first chapter of Capital, making this chapter a rich source for illustrating Marx’s analytical techniques. The text opens, as I have discussed above, with an “empiricist” perspective that limits itself to material and social phenomena that can be directly perceived by the senses. This empiricist perspective is adequate to introduce the opening category of the commodity, but the text must shift to a different perspective – a “transcendental” one – in order to unfold the categories of value and abstract labour, which are intangible social structures and therefore cannot be directly perceived by the senses. Their existence must therefore be intuited by reason. Finally, the text shifts to a “dialectical” perspective over the course of the derivation of the money form.

On the other hand, this extension also opens up what I would expect to be one of my more controversial claims about how I understand the critical standpoint of Capital to operate:

In Hegel, it is the confrontation with the inverted world that drives consciousness finally to recognise that its object does not reside in some separate substance or world outside itself, but is rather consciousness itself. Consciousness comes to recognise its own implicatedness in its object – comes to see that it has, in fact, been its own object all along. At this point in Hegel’s text, consciousness becomes reflexive – becomes self-consciousness.

Marx traces a similar sort of narrative in his analysis of the genesis of the money form, a narrative that culminates in a series of inversions of the distinctions with which the analysis begins. Significantly, after drawing attention to these inversions, Marx opens the concluding section of the chapter, where he discusses commodity fetishism. Here Marx finally voices explicitly that the forms of thought expressed earlier in the chapter are examples of what he calls fetishised forms of consciousness: forms that are valid for a specific social situation, but which have failed to grasp their own social conditions of possibility, and have therefore naturalised the contingent features of capitalist society.

By breaking into a more explicitly critical voice at this point in the text, Marx hints that, like Hegel, he endorses the position that more adequate forms of consciousness can arise immanently, through the confrontation with the contradictions and “inversions” generated by the reproduction of capital. Marx then structures Capital to draw attention to the ways in which later categories “invert” the conclusions the text had derived from earlier categories. As with Hegel’s argument about the “inverted world”, Marx’s “inversions” are intended, not to suggest that the “inverted” conclusions are “true” and the original conclusions are “false” – this would be to allocate “appearance” and “essence” to separate substances or worlds. Instead, the point is to illustrate that the same social context generates opposing potentials – that the process of the reproduction of capital is contradictory – and therefore that critical reflexivity is generated as an immanent possibility.

I expect this claim to be controversial because many interpretations of Capital see the form of critique expressed in the text to be a kind of unveiling, whereby an illusory dimension of discourse or social practice is penetrated by the critique in order to reveal an underlying reality that provides the standpoint of critique. In my approach, critique does not rely on an underlying reality: it is, so to speak, fetish all the way down. In this reading, however, the fetish is reinterpreted as a distinctive (and complex) structure of social experience that generates conflictual potentials, some of which are more likely to be recognised by social actors than others. I won’t rehash the entire argument here, as the paper covers it in brief, and the thesis will cover it in detail, but the basic claim is that Marx is not criticising the political economists for their failure to penetrate the fetish, but rather for their failure to explore how the fetish is generated in social practice – and, relatedly, what the various potentials of the practices that generate the fetish might be. The aim here is Benjaminian: to make our own history citable in (more of) its moments, and therefore to make political decisions possible based on a fuller sense of the potentials immanently available to us, rather than to conceive of political action as necessarily requiring a step outside of history, in order to criticise our society against normative ideals provided by some socially non-specific truth.

The conference paper necessarily covered this argument in a very condensed way and, because of the focus of the event on Hegel, spent much more time, relatively speaking, talking about Marx’s relationship to Hegel, than it did about how I understand the complex question of the sort of critical standpoint Capital makes available. One consequence of this, I realised during the discussion, is a few people were perhaps a bit too persuaded by my argument about Marx’s close ties to Hegel, and therefore came away with the sense that I am arguing that Capital is essentially an “idealist” work or an analysis of the internal contradictions and tensions within the discourse of political economy. Whether people then liked, or disliked, the implications of this, depended on their personal political and theoretical commitments. Regardless, it wasn’t quite what I was trying to argue.

Marx does organise the text to expose contradictions within political economic discourse, and understanding his relationship to Hegel helps in clarifying why he organises the text the way he does. The tacit metatheory underlying his critique of political economy, however, is more Durkheimian than it is Hegelian. I mean by this that, like Durkheim in The Elementary Forms of the Religious Life, Marx takes the position that we do not organise our social life in a specific way because we believe certain things or hold certain ideals, but rather we believe certain things or hold certain ideals, because we organise our social life in a specific way. This argument isn’t causal – the claim is not that we engage in certain practices, which then externally cause us to think certain ways: this would involve a dualism I think Marx rejects. The argument also isn’t functional – that we think certain ways because these forms of thought are useful for some social purpose. The argument is rather that practices are intrinsically bound together with tacit dispositions, such that the qualitative characteristics of our practices necessarily implicate the qualitative character of how we experience ourselves, perceive, think, etc. – and explicit theoretical reflection then tends to work, bricoleur-like, with the raw materials generated by our practical experiences. I’m reasonably certain this metatheoretical stance is what Marx has in mind, when he talks about how Hegel has everything “standing on its head” – i.e., has ideas driving practice – while Marx has turned things right side up again. (I’ll leave aside whether this is fair to Hegel, and also my own critique of the way in which Marx then emphasises one particular dimension of social practice – a move that, arguably, implicates his own analysis in some of the things he criticises in writing about the fetish.)

In this context, the analysis of “discourse” provides a window onto collective practices in a very general sense – and the contradictions and tensions within a discourse open onto contradictions and tensions in practice. A great deal of the legwork in Capital therefore consists in leveraging the tensions of political economic discourse, by using those tensions to unearth the lumpy and conflictual character of the sorts of practices that contribute in various ways to the process of the reproduction of capital.

So what does all this have to do with Badiou?

I couldn’t help but be struck by how much Badiou’s argument about being qua being, echoes Marx’s argument about value. (And please note I am only a quarter of the way through the text, and am not trying to make any serious point about Badiou, as I don’t have the basis to understand his argument in full. My interest is more in thinking through an issue in relation to Marx, by means of the different vocabulary set out in Badiou’s text.) I’ve now dog-eared a great many passages that struck me in this way – I’ll just pull out a single longish example for attention here:

Take any situation in particular. It has been said that its structure – the regime of the count-as-one – splits the multiple which is presented there: splits it into consistency (the composition of ones) and inconsistency (the inertia of the domain). However, inconsistency is not actually presented as such since all presentation is under the law of the count. Inconsistency as pure multiple is solely the presupposition that prior to the count the one is not. Yet what is explicit in any situation is rather that the one is. In general, a situation is not such that the thesis ‘the one is not’ can be presented therein. On the contrary, because the law is the count-as-one, nothing is presented in a situation which is not counted: the situation envelops existence with the one. Nothing is presentable in a situation otherwise than under the effect of structure, that is, under the form of the one and its composition in consistent multiplicities. The one is thereby not only the regime of structured presentation but also the regime of the possible of presentation itself. In a non-ontological (thus non-mathematical) situation, the multiple is possible only insofar as it is explicitly ordered by the law according to the one of the count. Inside the situation there is no graspable inconsistency which would be subtracted from the count and thus a-structured. Any situation, seized in its immanence, thus reverses the inaugural axiom of our entire procedure. It states that the one is and that the pure multiplicity – inconsistency – is not. This is entirely natural because an indeterminate situation, not being the presentation of presentation, necessarily identifies being with what is presentable, thus with the possibility of the one.

It is therefore veridical… that, inside what a situation establishes as a form of knowledge, being is being in the possibility of the one. It is Leibniz’s thesis (‘What is not a being is not a being‘) which literally governs the immanence of a situation and its horizon of verity. It is a thesis of the law.

This thesis exposes us to the following difficulty: if, in the immanence of a situation, its inconsistency does not come to light, nevertheless, its count-as-one being an operation itself indicates that the one is a result. Insofar as the one is a result, by necessity ‘something’ of the multiple does not absolutely coincide with the result. To be sure, there is no antecedence of the multiple which would give rise to presentation because the latter is always already-structured such that there is only oneness or consistent multiples. But this ‘there is’ leaves a remainder: the law in which it is deployed is discernible as an operation. And though there is never anything other – in a situation – than the result (everything, in the situation, is counted), what thereby results marks out, before the operation, a must-be-counted. It is the latter that causes the structured presentation to waver toward the phantom of inconsistency.

Of course, it remains certain that this phantom – which, on the basis of the fact that being-one results, subtly unhinges the one from being in the very midst of the situational thesis that only the one is – cannot in any manner be presented itself, because the regime of presentation is consistent multiplicity, the result of the count.

I’m realising as I finish typing this monster that I’m getting very tired, and won’t be able to write a proper argument to flesh out my point. Just a few quick notes then, and perhaps I’ll come back to this issue when I’ve read Badiou properly.

Leaving aside for the moment the context in which Badiou is asserting these sorts of claims, this and similar passages wouldn’t be a terrible way of trying to express what Marx is after with categories like “value” – categories which are dynamic structures that manifest themselves in and through the transformations of the objects of our immediate experience. As structures that manifest only through the transformations of more mundane objects of experience, such categories can never be “presented” in their own right – they possess no separate substance – but are instead “phantoms” that “haunt” the objects of our immediate experience. Viewed synchronically, there is nothing in the objects of immediate experience that would allow such “inconsistencies” – what I tend to call the “counterfactual” dimension of these categories – to be directly perceived or grasped.

Marx, however, views his counterfactual categories as socially specific – and tries to link them back to the practices that generate them. Something like value is generated in collective practice when social actors engage in a vast array of empirical labouring activities, without being able to know in advance which activities will successfully “assert themselves” to become part of “social labour”. The process by which activities succeed or fail in becoming successfully incorporated into “social labour” operates behind the backs of social actors. This process whereby the universe of activities undertaken, is forcibly reduced down to the much smaller subset of activities that get to “count”, is one of the bases for what Marx calls the fetish. Our collective behaviour, Marx argues, is tantamount to treating the products of labour as though they possess a supersensible substance (value) and treating labour as though it participates in a supersensible world (of abstract labour). Value and abstract labour thus become constituted in social practice as supersensible, counterfactual categories, because we behave as though such supersensibile entities exist. Having first simply “practiced” as though such entities exist, we eventually “deduce” their existence. Deduction is required because we are not consciously setting out to create such entities, and because these entities are intangible “structural” elements that can be perceived only through the lawlike deflection of the objects of our immediate sense experience.

Marx’s argument about the fetish suggests that the ontological status of these is particularly difficult for social actors to discern – this is the point of his joke about Dame Quickly in the first chapter of Capital: we don’t know “where to have them”. Confusion over the ontological status of the categories does not reflect a conceptual error: the qualitative characteristics of the categories themselves generate the risk that they will be “read off” onto some separate substance, something that resides behind the flux of our sensible experience of either the material or the (overtly) social world. Another way to come at this same point, from a different direction, is to say that it’s structurally tempting to treat certain categories of our social experience as “negations”, or categories that arise only once we subtract from everything that is specific to what we plausibly perceive as our determinate social experience. Marx wants to reposition these categories as “positivities” – to help us to recognise how they are constituted in some determinate qualitative form, rather than failing to perceive their determinate qualitative character because we are treating such categories as the results of a process of subtraction or abstraction from other sorts of entities.

In other words, according to Marx (and recognising that I’m skipping through this much too quickly), we are “primed” by at least one dimension of our social practice, to find elements of a Badiou-style ontology plausible. It’s important that this point not be made reductively: we are also “primed” by dimensions of our social practice, in Marx’s argument, to be receptive to notions of a material world governed by universal laws – this priming no doubt tells us something about the timing of the historical emergence of a particular style of scientific enquiry, but it would be a category error to jump from this historical insight, to any immediate judgement on the truth or falsehood of particular scientific claims. The same holds for other forms of thought whose emergence might seem to resonate particularly strongly with some element of Marx’s social critique.

Nevertheless, where we can demonstrate (and I don’t claim to have demonstrated in this post – again, these comments are just rapid placeholders before sleep overtakes me) that we might be primed by social practices to experience a form of thought as familiar, we can be conscious that we might find that form of thought persuasive, because it is familiar – as resonating with our existing habits of perception and thought – as being something we “recognise” as salient, without being fully aware of how or why. On another level, particularly when trying to develop critical theories or philosophies with an emancipatory intent, it can be helpful to play claims about socially nonspecific potentials, off against analyses of socially specific ones: Marx’s “structural” categories, for example, are the targets, not the standpoints, of his critique – the things he wants to abolish, not the things in whose name his critique speaks. Categories like value certainly do disrupt the “count” of the situation – they react corrosively back against what is – but this is not an emancipatory disruption, but rather a constitutive one. This doesn’t at all mean that Badiou can’t develop something critical using his own categories – only that the peculiarly dynamic and counterfactual character of the reproduction of capital might also need to be kept in mind, in order to prevent a kind of normative underdetermination that might suggest that any counterfactual category is, by dint of sitting outside presentation, automatically critical. Badiou may well thematise this issue – always a problem with commenting on such a text while only a fragment of the way through… I write as part of a process of thinking out loud, and without the intention of making anything resembling an argument at this stage. 🙂

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