I’m going to be in transit for the next couple of days, with very limited net access, and so won’t be able to respond to comments or mails. This and the next couple of thesis chapter posts have been queued, so if the blog does its job, they’ll keep trundling their way into the world in my absence.
This chapter is part of a set of three that spends a possibly inordinate amount of time unpacking the implications of the complex third chapter of Capital, in which Marx undertakes an extensive deconstructive analysis of money – exploring all the various ways in which this “single” object takes on different roles, and as a result comes to carry radically different meanings, implications and consequences for practice. This chapter is perhaps the single best example of how Marx consistently under-signposts what he is trying to achieve when he makes specific argumentative moves. There is an enormous amount of work being done in Capital‘s third chapter – something you might guess by the sheer length of the thing, but which can be difficult to tell when actually reading the text, because Marx relentlessly refuses to pause and draw out the implications on his own. Often, he’ll point out several chapters later that he sees himself to have made a specific point in an earlier chapter; he rarely emphasises the significance of his argumentative moves at the time, for reasons I’ve explained in chapter 4 of the thesis. Understanding the reasons, however, doesn’t make the practice less frustrating… This is why a single chapter of Capital can blow out into three chapters of my thesis: I provide the signposts Marx should have, but didn’t…
This thesis chapter, as you would guess from the title, focusses a lot of its time and energy on Marx’s use of Hegel’s vocabulary of essence and appearance. The idealist loan words and style of expression often manage to conceal the fact that Marx means pretty much the exact opposite of what the text intuitively seems to be saying: when Marx talks about an essence (like value) expressing itself in a form of appearance (like price), this sounds as if value is an external causal factor, driving the play of appearances. What Marx means is very different: essences are essences of their forms of appearance – it is the play of appearance that constitutes an essence as an immanent pattern that emerges in the transformation of appearances over time. Honest. Trust me. Scout’s honour.
All this – and a lot of textual interpretation – below the fold…
[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]
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